Last read from “The Phantom Of The Opera—And I”:

The dark figure with his face half-masked approached—The Phantom Of The Opera. To clarify, I am not speaking of the brilliant, Tony Award winner, previously seen on the most elaborate of stages. I speak now of the actual Phantom Of The Opera, risen from his chamber.

Seated next to me he said these words, “The lover of The Phantom Of The Writers, you are?”

“I am,” I responded, solemnly.

“A tragic state of being you’ve accepted—to be loyal,” his voice lowered to a whisper, “yes to be loyal to the giver of your talent and to not be seduced by those who love you for what is not yours.”

“I can’t live without what I’ve been given, so I am a slave to the giver…”

We sat in silence for some moments—waiting. Because there is a moment every day when there is pure truth in all-of-the world.

“Why does a man as handsome as yourself wear a mask?” I asked The Phantom Of The Opera who is perhaps the most handsome man I have ever laid eyes on.

A tear ran down his cheek, not for himself, but for I. “For the same reason, you great writer cannot look into a mirror. I wear the mask to hide not my face, but the ugliness that dwells in my heart…”

Our story continues:

THE JERSEY BOYS

The words of the phantom reverberated in parts of my soul that previous to our encounter I had not fathomed existed. Oh the complexity of the soul and the vexations it suffers. Why must I yearn for greatness? Why must I want for others to share my passion? Surely not from an evil, perplexed heart. You see it is indeed this goodness that continuously births the passion that feeds the darkness—and thus the infinite, alpha helix of my pained existence.

“There is another show, great writer, that you must see,” said The Phantom Of The Opera to I.

“No, this was enough. Should I see anything less it would diminish the euphoria I will forever experience when I think of the theatre, thanks to you.”

The masked face tilted towards I and slightly down, as the phantom is a few inches taller than my six-foot-one frame. “You won’t be disappointed. True there is no other performance that can equal my pageantry and my love of the feminine voice is universally known—still there is another voice in our time from the angels.” Pointing north towards the Palazzo. “And there is yet another question you must answer for yourself.”

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The awful question was with us now. “Why does the world resist that which would change it and make it better?”

The Next Day

The Black Angel Fred, assigned to my wellbeing by The Phantom Of The Writers, as previously explained, accompanied me into the restaurant known at the Palazzo as Zine Noodle. I paused for a moment to appreciate the exquisite décor. I made a mental note to thank Rob, Dawn, and Ashley for making sure that I had some sustenance before continuing my personal journey through their land of entertainment. And err not dear reader, I am always appreciative of the fact that I tread mostly in the realm of others and interject my own story without permission altogether. Many do not easily digest this fact, but it is necessary, if not necessarily understood.

Sally Lei escorted us to our very private table and much to my delight we ran directly into Danny Tarkanian.

“Hello Senator,” I said to the handsome former UNLV basketball star, turned lawyer, turned real estate developer, turned politician.

“I’m not a Senator yet, Stan. But I’m working on it,” Danny responded affably.

“Well you will be. The country needs guys like you to get involved and get things going back in the right direction. C’mon you’re sitting with us.”

“Okay, but I have an interview in an hour, I have to call into a radio station…”

So Sally had an array of wonderful food brought to our table. Funny, I had seen some criticisms of Zine Noodle on the Internet—none of which matched my own experience. Interesting it is to be criticized by those you do not know. The experience I have had with my own detractors is, that much of what is not said to your face is simply the fiction of angry and jealous minds.

“We really need to create a better environment for small business,” Danny continued, as we had been talking about some of his positions for most of dinner. “You deal with all kinds of businesses Stan, any new ideas?”

“If I start you’ll miss your interview,” I said, truly worried about delaying the future Senator.

“C’mon, just one.”

“Well take Las Vegas for example: there’s plenty of land, plenty of hotel rooms, a five hour drive from Los Angeles and no major motion picture studio. The state needs to give the land if need be to the person who is willing to develop a studio facility out here. And the Federal Government has to give Venture Capital a special tax incentive to invest in this type of project. Getting banks lending to small business again is a must, but most of the next big things come from VC…”

“And we need to create micro loan options for initial stage startups,” added Danny.

This conversation was headed to the next level, a sense of excitement percolated from my blood through my brain because for the first time in a long time I was speaking with a man running for office that has the capacity to get it. But it was time for Danny to give his interview so I bid him farewell and made a commitment to myself that I would do what I could to help him in his quest to help others. You do see dear reader that because I have few worldly concerns in common with my fellow man I have a most unusual vantage point—I simply speak from a heart uncorrupted by self-interest.

Like the night before, our seats in the theatre that houses the Jersey Boys were only a few rows from the stage. Both the Black Angel Fred and I were struck by the sparseness of the room and stage—nothing like the palace, which The Phantom Of The Opera had built. Fear not my friends. The first few pages of the Holy Scripture reveal quit clearly that the Lord created nothing, before creating creation itself. The “Black Period” I called it when I painted my last show—a necessary step before my affair with words. But a challenge to fill such a space, it is.

The narrative began from a corner in Jersey. Tommy was a character to the exponential consideration. And Joe Pesci, yes that Joe Pesci, did much to bring this band of bandits turned musicians in a band together. But this is neither the time nor place to tell a story best witnessed in person. Recall, that I was there for one specific reason. Frankie Valli possessed the voice of, which the phantom had spoken, but such difficulties. Divorce, Tommy’s gambling and other debts to honor because it was the right thing to do, the death by drug overdose of his daughter, and the departure of the writer of the glorious words we have all come to know through the music.

One question. One song. The writer wrote one song that the Universe itself demanded Frankie Valli to sing. But the label would not release it. And the radio stations would not play it. Yet the writer persisted and like the ocean tasked with beating an enormous crag into sand his will and his money did not cease—not with something as important to the world as this at stake.

“It’s to be good to be true, can’t take my eyes off of you…I love you baby and if it’s quite alright…Your like heaven to touch…”

And the words from this song, which is so much a part of our collective consciousness, a song that a few wanted all not to hear, the words embraced and consumed I and for the second eve in two cycles of darkness I obtained clarity—my work is not alone.

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